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DAVID FARLAND

David Farland/Wolvertin

K
nown as the “Wizard of Storytelling,” writing sensation and author of fifty novels, David wrote short stories as a child and dreamt of growing up to become a fantasy writer. He gained experience in a number of career paths but never lost sight of his goals. Finally, after saving money for years, he decided to risk it all and go to Brigham Young University to study.

While there, he became ill and feverish started having some fantastic dreams. In one such dream, two futuristic mercenaries were taking shelter in the skull of some giant beast and talking while waiting out a rainstorm. His dreams became so vivid and lifelike that he had to put them in a story called “On My Way to Paradise.”

He entered it into the L. Ron Hubbard Writers of the Future contest and won the grand prize for the year, the Gold Award. He was immediately contracted by Bantam Books to turn the short story into a novel of the same name, along with a contract to write two more books. The novel, My Way to Paradise spent several months on the Locus Science Fiction Best-seller list, and won a Phillip K. Dick Memorial Special Award for being one of the best science fiction novels of the year.

He wrote science fiction for ten years under his given name of David Wolverton, during which he wrote several best sellers. After having mastered science fiction, David decided it was time to take another risk and try writing fantasy, hoping to realize his childhood dream. So as not to confuse his readers, he writes fantasy under the name David Farland.

He had to work hard to achieve notoriety in two genres, but eventually his fantasy books started hitting the New York Times Best Seller’s list right out of the gates, beginning with the third book of the Runelords series entitled Wizardborn.

He had not only achieved his childhood dream, but in doing so, became popular in two genres and has amassed many awards for his short fiction in particular, and set a Guinness Record for the world's largest booksigning–a record that he still holds. In 1991, David became a judge for one of the world's largest writing contests, the L. Ron Hubbard Writers of the Future Contest, and for the next several years he read thousands of stories each year, edited an annual anthology, and taught writing classes to new writers.

To date, David has written and edited fifty published books. These include novels for adults, young adults, anthologies, middle-grade readers, and picture books.

Among his numerous other accomplishments, David eventually returned to BYU as a writing professor, for several years. It was getting in the way of his writing, so he ended that and decided to fill his need to share by lecturing, giving workshops and seminars to those who would be writers. He is known for having taught many great emerging writers and had a part in their success, including Stephanie Meyer, Brandon Sanderson and Eric Flint. In many cases it was his influence and words of wisdom that caused a new author to sell their first story. Now he has the privilege of helping other struggling would-be writers to achieve their success. He says, “Nobody makes it alone. We each build on one another.”

As part of his dedication to helping other writers, David writes the David Farland’s Daily Kick in the Pants, an email bulletin for writers or those who would be writers. Many authors rave about how it has helped them. Out of devotion, he provides the Daily Kick free. You can register to receive it in the green box in the bottom right corner of this page.


DavidFarland.net Journal Entries

One thing that your character needs is conflict-lots of conflicts.
JimWolverton - 5/16/2012
What you need to know about creating characters.
JimWolverton - 5/10/2012
How to support your writer.
JimWolverton - 5/9/2012
Many writers are taught that stories are about characters. That's simply not true. Some stories do focus on characters, but many of the best tales don’t.
JimWolverton - 5/8/2012
How creating a rich setting becomes a fertile ground springing up all sorts of stories for your world.
JimWolverton - 4/18/2012
The literary value of the technique of describing what is not.
JimWolverton - 4/17/2012
Bringing together a sense of the way your setting appeared in the past as well as the present and even how it will appear in the future, brings a sense of depth to your storytelling.
JimWolverton - 4/11/2012
Bringing a still setting to life is difficult, but the rewards of adding motion and momentum are worth the effort.
JimWolverton - 4/6/2012
In a sense, all literature that has gone before creates nuances of meaning in every word you pen. You must artfully play upon this resonance within the bounds of your story.
JimWolverton - 4/3/2012
Insider tips on get your point across using emotions by telling, showing and literary allusion.
JimWolverton - 4/2/2012

Journal Archive

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