read more Remember when you were young and your mother or father read a favorite story to you over and over? Or do you recall that one book or movie that you wanted to read or watch again and again?
Most people have a few all-time favorites. As a toddler, for me it was “Jack and the Beanstalk.” Then in school I became a fan of Aesop’s Fables. Later it was Swiss Family Robinson, Lord of the Rings, and Dune. As a teen I discovered films like Star Wars, Bladerunner, and The Road Warrior.
Have you ever considered what those stories do when you read them over and over?
I can tell you what it does: to some degree, it helps train your tastes for story. I call it fixating.
As you hear a favorite tale over and over again, so that you relive it, the story becomes more real, more a part of your psyche. I’ve had readers who have re-read some of my stories dozens of times over. As one college student put it, “Back in 1991 I re-read your novel On My Way to Paradise three times, and it became one of the most important experiences of my life. It changed me. I don’t remember much at all about my classes that semester, but I remember every page of that book.”
As a teen, I re-read Lord of the Rings half a dozen times, so I know what he means. Stories can become a part of you. In fact, they become so much a part of you, that when you begin writing your own tales, the ones that affected you as a child begin to echo in what you write.
For example, one author friend of mine, Larry Niven, wrote a popular science fiction series called Ringworld. A scholar wrote a paper on it, in which he spoke about how the author had drawn upon influences from The Wizard of Oz. Larry was astonished by this. He said, “I hadn’t drawn on that at all on the conscious level, but I had loved The Wizard of Oz as a child and must have read it a hundred times.”
So it came out in the choices that he made as he penned his own epic. That’s what I want to point out here. The stories that you love help define your tastes—and they inform the stories that you will write.
If you’ve read my book Drawing on the Power of Resonance in Writing, you know that as authors, we need to be aware of the books and movies and videogames that our own readers are fixating upon.
Yet as I grow older, I find that the tales that children today are enjoying are . . . not as engrossing to me as the tales that I once loved.
So it becomes important to study what’s new. Did you see Disney’s Moana, or have you re-watched Avatar lately? Most likely, your younger fans have. What cartoons have you watched, and what videogames have you played? Me, I’m afraid that I don’t do much of that anymore.
I think that often as writers age, their stories seem to age with them, become less accessible to young readers and feel more irrelevant to them. So it’s important to keep reading, to keep watching, to keep playing and studying, so that you keep learning to speak in the same language of the heart as your fans.
In other words, find the great stories of today and then work to “fix” them into your mind. Let them educate your tastes, at least a little.
If signups continue as they have, my online Writing Enchanted Prose course will be full by this weekend. If you’re interested, now’s the time to sign up. MyStoryDoctor.com/Online-Workshops/.
For the past three years, I’ve been developing a new curriculum for a writing workshop that I believe will be more valuable than any workshop you’ve had in the past.
After teaching the material for the past three years, I’ve had some great success. New writers tend to write as if they are well matured, while good writers often boost their prose up to award-winning quality. I finally feel ready to take it to the internet, but in this special introduction to the course, you need to know that you must register in advance, since we will have a limited number of students for the course.